After his appearance at the Cave to the Poets, transformed into interstellar highway rest area for the occasion, while his comrades first "replicants" entered the airlock Roubaix, your favorite Hermes managed to study this UFO as violent as Big Bang, as bright as an aurora ...
is Mr Stephen Jaumet Discret. An artist quiet nerd nerd look .
is also a multi-instrumentalist whose name has remained buried for years. His productions in the krautrock duo Zombie Zombie, it forms with Cosmic Neman, drummer of Herman Düne and then in The Married Monk combo, or his collaborations with Herman Düne him in person helped to gain notoriety. The life of Stephen Jaumet is naturally concentrated musical encounters.
"From ages 10-11 I was a fan of music. I listened to The Cure, Joy Division, punk too, like my friends. And then emissions by Bernard Lenoir. The radio has opened Horizons: I discovered Oh Superman by Laurie Anderson, Kraftwerk, which I was traveling. I got excited for generic cartoon: Ulysses 31 , Chapi Chapo [signed Francois de Roubaix - next victim our Maieutik] Folders screen, San Ku Kai. All this gave me an early taste for electronic music ... "
His first love of youth? The saxophone. He even plays in a local brass band, before finally returning to the Conservatory. "But I was not quite a worker. And the saxophone has become a cliche of the 80 instrument, so I suddenly stopped. Later, I got handed by listening to free jazz. Here, the instrument was naive, torn, or not at all sexy as languorous as the variety of rock and eighties. "
After a tank S Jaumet graduate student of his at school Louis Lumiere in Paris suburbs (in the footsteps of Jacques Demy, Gaspar Noe or Louis de Funès). "It was a good compromise for the life of a musician is very uncertain."
In 1995, he began to sound to others. "How much? A thousand bands! Was the dream! I have worked with Daniel Johnston, Aphex Twin, The Moldy Peaches , Lou Barlow , Antipop Consortium ... I also remember Moonshake , a group very striking, with influences from krautrock. It was also at this time that I met and soundtrack Herman Düne for the first time. "
Upon his arrival in Paris at age 21, he travels the shelves of record stores time: Rough Trade, Danceteria, New Rose. From the shores of synthetic pop (New Order , Elli & Jacno , Etienne Daho, Modern Mathematics) and the experimental rock of Sonic Youth , Mercury Rev or Ride , Stephen Jaumet continues to jazz, beginning with John Coltrane and his comrades, Elvin Jones, McCoy Tyner, Eric Dolphy. Finally, Miles Davis , Pharaoh Sanders, and then dive into the ultimate free jazz.
From music to ethnic music concrete, krautrock of the Belgian new beat via Silver Apples, Suicide , Telex or DAF , hearing his thirst knows no limits short of ... binary rhythm.
THE MACHINE MAN
overgrown kid, Stephen Jaumet is looking more and then discovered a synthetic direction with the establishment in France, in the mid 90 ', Cash Converters. "I discovered analog synthesizers, while all this material was in complete disuse at the time. The opening of these stores has allowed some opportunity to get rid of their synths and others like me to initiate it. "
Looking for original arrangements, he noticed these old machines and delves into their world. "I love these machines, their buttons. And today, I am a fan ... When I plug in a synth, drum machine, an effect, there is always that thrill through me at the same time as the electricity goes through the machine. "
" These are tools and manuals very particularly intuitive. The act creates the sound. I have nothing against the computer, but with this type of equipment, you end up doing the same music as your neighbor. For me, the synths have a soul, a soul analog, because the settings can be stored, the sound depends on how you play, the electronic components have some instability. It is a living thing ... "
Jaumet does not abandon his first conquest, and accompanied on saxophone Francisco Lopez, aka Flop on three albums and the second at Mains d'Oeuvres , location artistic creation in Saint-Ouen.
The duo moved into residence in 2001, and in this place, "where there is a lot of excitement," that will play its future: 
he met The Married Monk , training alternative pop that is on disc and on stage, it crosses the choreographers for whom he signed music performances, becoming a sound engineer of the room, and most importantly, sharing his rehearsal with Herman Düne ...
"One evening, the whole group Cosmic Neman was gone except the drummer. While I improvised on my keyboard, he began to play. There was an immediate chemistry. We took a lot of fun improvising together with a very instinctive approach. "
In the frenzy of the first concerts in Paris, the couple found a name, Zombie Zombie
, is releasing an EP on the label very confidential Boomboomtchak before the magic of meetings does the rest ...
In the year of grace 2006, Gilb'r, label boss Versatile , landed at the Point Instant to attend the live Joakim . There, he falls into these two mad scientists, programmed warmup. Stephen, he does not even know who he was or what was going on - a trick house, electro "...
Consecration to the ultimate small two-headed monster grown, the prestigious independent record store Rough Trade coronation in the wake A Land for Renegades (Versatile / Nocturne) as one of the ten best albums of 2008. Black and fascinating debut album, with John Carpenter and Goblin background . Its 11 tracks feel the sweat of improvisation and childish passion to grind any button. The mood is heavy, the notes hang like noises in the night, and especially it screams - When I scream you scream . Zombie Zombie replays the melody of lullabies and tells his best teenage nightmare. "What is very important in ZZ says Jaumet at Trax in March 2008, the beat, the rhythm of the drums which takes us to the Trance " ... Somnambulesque.
The success of this first test shoot Jaumet to go further ... But " Neman is not always available because he played primarily with Herman Düne. That's why I started writing songs ... And in one afternoon, I made the song Repeat Again After Me , including recording and mixing. I go quickly. "
NIGHT MUSIC (Versatile / Module)
masterful piece of psychedelic music or "mix managed and imagined" by Carl Craig ... The qualifiers accumulate and combine the ameliorative to celebrate this first solo.
menu: five pieces space, gas and narcotics which are called saxophone, harp and even a hurdy-gurdy, not to mention the ethereal voice of Emmanuelle Parrenin , psychedelic folk pioneer 70 '. The result: a summit meeting between the algorithms and synthetic Jaumet mechanical ballet proto-techno producer U.S..
She immediately imposes a color, an identity, a character dipped in the puddles of autumn 2007, when growing the first legitimate child of Stephen Jaumet. Called Repeat Again After Me , the prototype was already relying on a long odyssey future jazz its serenely hypnotic 13 minutes down, with plaintive phrasing and catchy loops.
The illuminated expresses his affection, even his fetish for the simple poetry scaffolding and convoluted electronic wizards German 70 '. As for sticking to the tradition of albums hovering at the time, Night Music opens For Falling Asleep , striking work of beauty and strength long term mixing spirals analog choruses way Gorecki for 2001, A Space Odyssey strata and echoes to the Terry Riley before passing away a few touches of harp. It not unlike the prodigious E2-E4 by Manuel Göttsching produces a night in December 1981.
B side, Stephen Jaumet connects a series of vignettes just as twilight and hypnotic, whose sublime At The Crack Of Dawn on which he lays down his saxophone in a last cry of orgasm.
partitions Jaumet so much remind minimalist electronic music, the kosmische musik - Ash Ra Tempel which Klaus Schulze was a member , Popol Vuh and Tangerine Dream especially - as jazz, in free to Pharaoh Sanders, or Afro-futuristic as Sun Ra. Night Music distills a "techno spheres ", a cosmic music which refers directly to Landcruising (1995), ambient techno masterpiece by Carl Craig, engineering, the second generation of Detroit.
Built around a drum spasm - the eternal TR 808, vintage tablecloths, synth loops and acoustic ballads in the form of cosmic incantation have a rare power of mind too happy to abandon the real dream of a world weightlessness.
Night Music is a work of aesthetic, sincere and intimate, retro, contemporary look, hit the gift of restraint and hypnosis. This is one of the hallmarks of a new generation of DJs who, in the stirred Turzi through team Dirty Sound System or quieter Studio sign the renewal of analog and crafts at the hippy era of digital triumphant.
Night Music is therefore not intended to shine a thousand lights in the virtual time but last time interstellar, immune to the black holes of fashion.
"I have no explanation on why my music ... In fact, all that is not very sexy. There is no concept. The magic is that listeners include much more than what I create ... "
is Mr Stephen Jaumet Discret. An artist quiet nerd nerd look .
is also a multi-instrumentalist whose name has remained buried for years. His productions in the krautrock duo Zombie Zombie, it forms with Cosmic Neman, drummer of Herman Düne and then in The Married Monk combo, or his collaborations with Herman Düne him in person helped to gain notoriety. The life of Stephen Jaumet is naturally concentrated musical encounters.
"From ages 10-11 I was a fan of music. I listened to The Cure, Joy Division, punk too, like my friends. And then emissions by Bernard Lenoir. The radio has opened Horizons: I discovered Oh Superman by Laurie Anderson, Kraftwerk, which I was traveling. I got excited for generic cartoon: Ulysses 31 , Chapi Chapo [signed Francois de Roubaix - next victim our Maieutik] Folders screen, San Ku Kai. All this gave me an early taste for electronic music ... "
His first love of youth? The saxophone. He even plays in a local brass band, before finally returning to the Conservatory. "But I was not quite a worker. And the saxophone has become a cliche of the 80 instrument, so I suddenly stopped. Later, I got handed by listening to free jazz. Here, the instrument was naive, torn, or not at all sexy as languorous as the variety of rock and eighties. "
After a tank S Jaumet graduate student of his at school Louis Lumiere in Paris suburbs (in the footsteps of Jacques Demy, Gaspar Noe or Louis de Funès). "It was a good compromise for the life of a musician is very uncertain."
In 1995, he began to sound to others. "How much? A thousand bands! Was the dream! I have worked with Daniel Johnston, Aphex Twin, The Moldy Peaches , Lou Barlow , Antipop Consortium ... I also remember Moonshake , a group very striking, with influences from krautrock. It was also at this time that I met and soundtrack Herman Düne for the first time. "
Upon his arrival in Paris at age 21, he travels the shelves of record stores time: Rough Trade, Danceteria, New Rose. From the shores of synthetic pop (New Order , Elli & Jacno , Etienne Daho, Modern Mathematics) and the experimental rock of Sonic Youth , Mercury Rev or Ride , Stephen Jaumet continues to jazz, beginning with John Coltrane and his comrades, Elvin Jones, McCoy Tyner, Eric Dolphy. Finally, Miles Davis , Pharaoh Sanders, and then dive into the ultimate free jazz.
From music to ethnic music concrete, krautrock of the Belgian new beat via Silver Apples, Suicide , Telex or DAF , hearing his thirst knows no limits short of ... binary rhythm.
THE MACHINE MAN
overgrown kid, Stephen Jaumet is looking more and then discovered a synthetic direction with the establishment in France, in the mid 90 ', Cash Converters. "I discovered analog synthesizers, while all this material was in complete disuse at the time. The opening of these stores has allowed some opportunity to get rid of their synths and others like me to initiate it. "
Looking for original arrangements, he noticed these old machines and delves into their world. "I love these machines, their buttons. And today, I am a fan ... When I plug in a synth, drum machine, an effect, there is always that thrill through me at the same time as the electricity goes through the machine. "
" These are tools and manuals very particularly intuitive. The act creates the sound. I have nothing against the computer, but with this type of equipment, you end up doing the same music as your neighbor. For me, the synths have a soul, a soul analog, because the settings can be stored, the sound depends on how you play, the electronic components have some instability. It is a living thing ... "
Jaumet does not abandon his first conquest, and accompanied on saxophone Francisco Lopez, aka Flop on three albums and the second at Mains d'Oeuvres , location artistic creation in Saint-Ouen.
The duo moved into residence in 2001, and in this place, "where there is a lot of excitement," that will play its future: 
he met The Married Monk , training alternative pop that is on disc and on stage, it crosses the choreographers for whom he signed music performances, becoming a sound engineer of the room, and most importantly, sharing his rehearsal with Herman Düne ... "One evening, the whole group Cosmic Neman was gone except the drummer. While I improvised on my keyboard, he began to play. There was an immediate chemistry. We took a lot of fun improvising together with a very instinctive approach. "
In the frenzy of the first concerts in Paris, the couple found a name, Zombie Zombie
, is releasing an EP on the label very confidential Boomboomtchak before the magic of meetings does the rest ... In the year of grace 2006, Gilb'r, label boss Versatile , landed at the Point Instant to attend the live Joakim . There, he falls into these two mad scientists, programmed warmup. Stephen, he does not even know who he was or what was going on - a trick house, electro "...
Consecration to the ultimate small two-headed monster grown, the prestigious independent record store Rough Trade coronation in the wake A Land for Renegades (Versatile / Nocturne) as one of the ten best albums of 2008. Black and fascinating debut album, with John Carpenter and Goblin background . Its 11 tracks feel the sweat of improvisation and childish passion to grind any button. The mood is heavy, the notes hang like noises in the night, and especially it screams - When I scream you scream . Zombie Zombie replays the melody of lullabies and tells his best teenage nightmare. "What is very important in ZZ says Jaumet at Trax in March 2008, the beat, the rhythm of the drums which takes us to the Trance " ... Somnambulesque.
NIGHT MUSIC (Versatile / Module)
masterful piece of psychedelic music or "mix managed and imagined" by Carl Craig ... The qualifiers accumulate and combine the ameliorative to celebrate this first solo.
menu: five pieces space, gas and narcotics which are called saxophone, harp and even a hurdy-gurdy, not to mention the ethereal voice of Emmanuelle Parrenin , psychedelic folk pioneer 70 '. The result: a summit meeting between the algorithms and synthetic Jaumet mechanical ballet proto-techno producer U.S..
She immediately imposes a color, an identity, a character dipped in the puddles of autumn 2007, when growing the first legitimate child of Stephen Jaumet. Called Repeat Again After Me , the prototype was already relying on a long odyssey future jazz its serenely hypnotic 13 minutes down, with plaintive phrasing and catchy loops.
The illuminated expresses his affection, even his fetish for the simple poetry scaffolding and convoluted electronic wizards German 70 '. As for sticking to the tradition of albums hovering at the time, Night Music opens For Falling Asleep , striking work of beauty and strength long term mixing spirals analog choruses way Gorecki for 2001, A Space Odyssey strata and echoes to the Terry Riley before passing away a few touches of harp. It not unlike the prodigious E2-E4 by Manuel Göttsching produces a night in December 1981.
B side, Stephen Jaumet connects a series of vignettes just as twilight and hypnotic, whose sublime At The Crack Of Dawn on which he lays down his saxophone in a last cry of orgasm.
partitions Jaumet so much remind minimalist electronic music, the kosmische musik - Ash Ra Tempel which Klaus Schulze was a member , Popol Vuh and Tangerine Dream especially - as jazz, in free to Pharaoh Sanders, or Afro-futuristic as Sun Ra. Night Music distills a "techno spheres ", a cosmic music which refers directly to Landcruising (1995), ambient techno masterpiece by Carl Craig, engineering, the second generation of Detroit.
Built around a drum spasm - the eternal TR 808, vintage tablecloths, synth loops and acoustic ballads in the form of cosmic incantation have a rare power of mind too happy to abandon the real dream of a world weightlessness.
Night Music is a work of aesthetic, sincere and intimate, retro, contemporary look, hit the gift of restraint and hypnosis. This is one of the hallmarks of a new generation of DJs who, in the stirred Turzi through team Dirty Sound System or quieter Studio sign the renewal of analog and crafts at the hippy era of digital triumphant.
Night Music is therefore not intended to shine a thousand lights in the virtual time but last time interstellar, immune to the black holes of fashion.
"I have no explanation on why my music ... In fact, all that is not very sexy. There is no concept. The magic is that listeners include much more than what I create ... "
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