Should it fall below ground to give the best of yourself?
is ultimately the question I asked myself while listening to the latest album from R. Kelly Love Letter. Released in total indifference. R. Kelly seems as shown in the artwork made a return to sound fundamentals of RnB and Soul. And God that feels good!
No more bullshit attempts to ageism, and finished Rap Biatchs silicone. On Love Letter, Kelly finally seems to have become wiser. A new statute in line with his age, experience and above all his talent. For my part, I ceased to follow the career of Kells from his stubbornness in wanting to relive the magic of 12 Play (TP2 reload and Co.). That said, I must admit that efforts have been made with "Happy People / U Saved Me" , a first "comeback" at the time.
end of 2010, R. Kelly King is not occupying his throne, the king having lost his time trying to match competition younger and less talented. On return, the panoply of "Pimp Lover Pedobear" is totally has-been. We find ourselves surprised by the total foot cons undertaken by Kells, while he dons his new costume brand new crooner. In fact, achieved the feat on Love Letter is that we do not fall into the effect of "Back To Classic, no, Kelly manages throughout the album to impose his style without aping the greatest.
With its new status, listening to this album turns out really nice. Special mention for "Just Like That" , "Number One Hit" or single Radio Message " . A must have for warm to two this winter. The only criticism "juvenile" is that this 10th album'll have found more consistency coming out in a totally acoustic version. But do not spoil our fun, R. Kelly seems you confidentially, successfully completed a comeback that we expected more.
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